Don't Overstate your Goals
Imagine this scenario: An architect whom I had never met before in my life called me in my office.
“I would like to speak with someone in sales,” he said. “This is Bill Beauchamp with Awesome Design Group in Atlanta.”
“You have him,” I said. “How are you?”
We chitchatted for a few minutes. Then he mentioned the reason for his call.
“Well, I have designed a really nice mansion for a client of mine in Kiawah Island. Your company’s name came up and I would like to set up a meeting,” he said. Three days later I was in an airplane on the way to Atlanta.
I arrived at Awesome Design and lugged my sample case up the stairs to the second floor. The secretary asked me to wait for Bill to come down from his office.
“Hi, you must be Harry,” Bill said. He was a middle-aged man with flowing grey hair wearing khakis and a shirt with a bow tie. I differentiate architects into the technical types with lots of knowledge but also very rigid in their approach, and the artists, who are happy if someone helps them translate their creative designs into a buildable project. Both, by the way, tend to fall within The Scientist personality preferences; one seeking perfection in every detail, and the other pursuing the perfect design independent of practical evaluations. Think of Frank Lloyd Wright’s design of a fountain at the Florida Southern College. It took 50 years to develop the pump technology to make the dome design work, but the concept was artistic perfection.
Bill clearly seemed more the artist. He invited me into a conference room. Plans of beautiful mansions covered the walls. A side table showcased a wooden model of a house.
“Before you unpack all your stuff, let me show you what I am working on,” Bill said and pointed to the model.
“Wow, this is beautiful,” I admired the work. “How many square feet?”
“Just under twelve thousand,” he replied.
Yes, this was a great project for us, I mused. Bill was enormously proud of his design. Over a cup of coffee, he explained the ideas and concepts of the project to me for over half an hour.
Finally, I broached the subject of cost. A house like this, on the ocean, and in a hurricane-zone would be $12 to $15 million to construct. I had done my share of houses like that. I also knew that in a hurricane zone with a requirement for impact-rated glass, windows and doors would run as high as eight to ten percent of the overall construction cost. I estimated the fenestration for this house to be anywhere from one to one and a half million dollars, depending on materials and features.
“Bill, what have you budgeted for the fenestration?” I asked.
Bill looked at me.
“The client is very cost-conscious,” he began.
Right, I thought. That’s why the client is building a house in one of the most exclusive beach-front communities in the United States.
“I was hoping to get windows and doors for about $400,000,” Bill said.
What would you do in my situation? Negotiate? Not me! I hate to waste time, and in this case, I saw no chance that we would ever come to an agreement. Our numbers were just too far off from one another.
It can happen in any negotiation that goals don’t overlap. I would not ever burn any bridges unnecessarily, but continuing to negotiate in a situation like this would make a conflict even more likely. So, I typically extricate myself diplomatically before frustration, disappointment, anger, and other emotions take over the conversation.
“Thank you so much for your coffee, Bill,” I answered. “I hate to admit it, but we are probably not a good fit for this project. But, please, keep us in mind for any new project that comes up and where the budget is a little healthier. You really do great work and I would love to work with you in the future.” Then I got up, shook hands, and turned to leave.
Now, there are two possibilities for what could happen next: The architect indeed has an extremely low budget and there is no chance that he can allocate over one million dollars to the windows and doors. In that case, our negotiation is over for now. Maybe the budget becomes larger sometime down the road or the potential customer buys a cheaper window from a different vendor. If I am lucky, I will get another chance in the future.
The second possibility is that as I get up and walk towards the door, the architect jumps up.
“Wait!” he says, “don’t leave just yet! Let’s talk about the budget…”
What do you think my windows may now cost? One million dollars or $1.5 million? Once I recognize that the architect really wants to use my windows and doors, maybe because his customer insists, or there is no other manufacturer, he has just surrendered all his bargaining power. He had set his goals too aggressively and now has to change them in the middle of a negotiation. That is never a good idea.